WSJ. Magazine fall fashion photoshoot featuring jewelry from my collection at Barneys New York.
Julie Wolfe, “Damage Control Observatory” (2017), found objects, digital prints and screen prints on found book pages
Hyperallergic - Hand-Copying the Constitution and Other Responses to Trump
For “Damage Control Observatory” (2017), Julie Wolfe, like Mary Jean Canziani, presses a found book into service, pinning its pages into a large grid on the wall and accentuating them with three-dimensional objects that could have been rescued from a riverbed (the wall label mentions “water samples taken from local and international waterways”) or harvested for spare parts on a Quay Brothers stop-motion animation...
"Cultural Values," American University, Katz Museum (2017).
Sciart Magazine - QUICK VIEW Systems of Color with Julie Wolfe
Big data is a rapidly growing scientific research field that applies high-power computers to the understanding of complex natural phenomena. It enables scientists to study new areas in biology, the environment, and even social culture. D.C.-based artist Julie Wolfe tries to make sense of these large systems using means that are available to her – visual tools. Her process is similar to that of scientific research...
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"Constructed Situations" on view at the American University Museum at the Katzen Arts Center. ©Julie Wolfe
The Washington Post - In the Galleries: Remapping the Boundaries of Drawing
Theoretical and actual also contend in Julie Wolfe’s sprawling “Quest for a Third Paradise,” upstairs at the same venue. Included are one of the local artist’s “Green Rooms,” an array of bottles filled with water samples dosed with extracts and chemicals. The infusions yield intense hues that Wolfe echoes in paintings, drawings and a collage that creates a color wheel from covers of books and pamphlets.
The third paradise the D.C. artist seeks is one in which nature, technology and humanity all flourish. She evokes this in pictures that suggest both organic and electronic systems, or by juxtaposing black-and-white photos with areas of pure color. In video close-ups of water, Wolfe celebrates the organic world’s continual flux. Yet her hard-edge pieces display a parallel enthusiasm for the archetypal.
Photo Credit: Jeff Martin
Brightest Young Things - Julie Wolfe: Inside the Artist Studio
Work and life co-exist in an extraordinarily beautiful symbiosis in Julie Wolfe’s Capitol Hill home and studio. A painter, installation artist and jewelry designer, Wolfe bridges that gap between fine art and tactile, wearable, interactive art in a way that clearly is rooted in her day to day life. While the official studio space is on the second floor, the whole building is filled with projects past and future, little nudges and nods towards the recurring themes in art. Much like her work, the space is a celebration of interconnectedness...
Installation view of Quest for a Third Paradise at the Katzen Arts Center
Hyperallergic: Abstracting the Data of the Natural World with Colorful Geometries
WASHINGTON, DC — In her solo exhibition at the Katzen Arts Center, artist Julie Wolfe attempts to confront a massive question: How do we find peaceful coexistence between our human systems and the natural world? Quest for a Third Paradise — which draws its name from Michelangelo Pistoletto’s concept that envisions harmony between nature and artifice — provides no firm answers. But it insists that the path to such a paradise requires an awareness of the variety of languages we have devised and can devise to organize and understand our surroundings...
Washingtonian: This Vibrant Art Installation Is Made Up Of More Than 500 Colorful Jars
About three years ago, Julie Wolfe started collecting water samples from across the country. She went to New York, Texas, DC, and Maryland, pouring each sample into a jar then mixing in natural ingredients, like squid ink, sandalwood, beets, and turmeric, as well as chemicals like copper sulfate, crystal violet, and methylene blue. She arranged the jars onto shelves, connected them with tubes, and lit the whole thing from behind...
Washington Post: Artist’s Colorful ‘Science Project’ is a Commentary on World’s Water Supply
Housed in some 500 glass bottles stacked on metal shelves, the water, sediment and vegetation samples on display in the window of 1700 L St. NW look like a science project. But the contents of the jars, illuminated from behind, also glow with vivid reds, purples and blues, resembling a color-field painting that has been disassembled and liquefied...
NY Times: Rihanna / Miranda July / Julie Wolfe
In her cover story for T’s Oct. 25 Greats issue, the singer opened up about everything from men and childbirth to social media and proving herself...
BBC.com: Green Room: A Colourful Political Statement About Water
Water is the most important material for human life on earth, but humans have changed it significantly.
In her new exhibit "Green Room", Julie Wolfe applied organic and chemical processes to a range of water samples - from a creek in Washington DC to melted snow in New York City - to create a colourful and stark portrayal of what humans are doing to water and how ecosystems try to rebalance themselves...
NY Times Ancient and New: A Cameo Reappearance
LONDON — In Torre del Greco, a town near Naples in southern Italy, generations of artisans have intricately sculpted cameo images in bas relief onto soft Mediterranean seashells, corals and volcanic lava stones from nearby Mount Vesuvius.
An art form hundreds of years old, it was used to depict Roman gods, exotic animals, floral bouquets or the titled aristocracy of Europe. In the 19th century it was much used in memorial brooches to mourn the dead.
Now, it is being transformed by jewelry designers like Amedeo Scognamiglio, a native of Torre del Greco, who has created a global brand fusing ancient craftsmanship with modern influences, and Wilfredo Rosado, who has made the genteel cameo almost naughty...